adhoc: exploring the german offspace

by fiona grady

 

This time last year I received a message from a stranger that every artist is always hoping that will magically appear in their inbox. He’d discovered my work via social media and would to like offer me a solo show at his gallery space in Germany next year. Not only this, but the exhibition would be funded with an artist’s fee and a materials budget, plus free accommodation for my trip. The only catch, if you’d call it that, was that the exhibition had to be site-specific work only.

 

Fiona Grady with Christian and Max, founders of Adhoc, 2017 | Photography by Fiona Grady

Fiona Grady with Christian and Max, founders of Adhoc, 2017 | Photography by Fiona Grady

 

A year later I found myself in a former garage converted to a white wall gallery with my hosts, Directors of ‘Adhoc’ Christian Gode and Max Rentrop. The gallery is an artist-led project space set up five years ago by a couple of artists who, after graduating art school, wanted to create a balance between their day jobs as teachers and their studio practices, by offering a forum for their peers. For them the reward is in ‘the dialogues with the artist: how they think and organize their work is very interesting and we learn a lot from them. It is very enriching to meet so many different artists. To recognize the difference or similarities in working and thinking with our own practices’.

 

Adhoc Gallery before installation begins, 2017 | Photography by Fiona Grady

Adhoc Gallery before installation begins, 2017 | Photography by Fiona Grady

 

Adhoc is set on the edge of Bochum city centre, a post-industrial city in the Ruhr district, once known for its steel production. The city is twinned with Sheffield, which is an accurate parallel to this rough around the edges but culturally rich and intriguing city; with a large student population and grassroots art scene. They termed Adhoc as an ‘offspace’ which is popular German equivalent to the artist-led space, designed to exist as a non-commercial, and independent venue for the arts.

 

Fiona Grady, The Movements, site specific wall drawing, 2017 (detail) | Photography by Fiona Grady

Fiona Grady, The Movements, site specific wall drawing, 2017 (detail) | Photography by Fiona Grady

 

The gallery has a rolling program of seven exhibitions a year inviting an increasingly International group of artists to participate. Their aim isn’t to show work by their friends, but to create a new discourse on site-specific art and its context. The gallery’s audience is particularly interesting; I met a broad range of people at the private view including local artists and creatives, students, neighbours and the curious. Set in what is essentially a car park, the welcoming nature of Adhoc has encouraged a wide following. One local told me that he fondly remembers when a planned exhibition had fallen through so instead of cancelling the PV, the gallery installed a smoke machine in the space for everyone to make a memorable event.

 

Visitors to Adhoc for the PV of The Movements, July 2017 | Photography by Fiona Grady

Visitors to Adhoc for the PV of The Movements, July 2017 | Photography by Fiona Grady

 

In an increasingly challenging art world, where excellent smaller galleries are struggling to survive, it’s worthwhile considering the model of Adhoc. If the key to funding a space is to have an audience and public engagement then Adhoc is testament to the notion that commercial gain is equally important to offering artists a space to create, and a platform. There are similar examples in Germany including 10qm, a square patch of grass in Cologne that facilitates outdoor arts events in Cologne, 20qm project space and Super Bien! a ‘greenhouse for contemporary art’ both in Berlin. Itbegs the question of whether UK arts spaces could follow this model as an alternative to residencies, to provide artists with the opportunity of a solo exhibition outside of the profit making restrictions.

Who are the UK equivalents of Adhoc? There aren’t many spaces that operate with the model of site-specific only exhibitions but there are quite a few that use former garage and industrial spaces as exhibition venues. Here are a few examples worth mentioning:

 

 

hartslane

A curatorial team and experimental art project space established in March 2012 by Cristiana Bottigella, Sigrun Sverrisdottir and Tisna Westerhof, in New Cross Gate, South London. It is an excellent example of a group of enterprising creatives working with the local authority to revitalise a building which had formerly been left vacant for many years. The rustic garage is now both a studio and meeting space for the artists. In it’s current format ‘Room 6.0’ hARTlane has a rolling 6 month programme of exhibitions based around a wider topic that provokes social engagement around current affairs.

hARTslane | Image courtesy of the gallery

hARTslane | Image courtesy of the gallery

 

 

ridgeway road

Set up in 2017 by artists Dominic Kennedy and Howard Dyke. This artist led space is tucked away in a railway arch near Loughborough Junction station. They have developed a word of mouth following, by avoiding the gallery trappings of self promotion, and instead focused on presenting good quality contemporary art. To keep up with them follow @ridgewayroadlondon on Instagram or join their mailing list ridgewayroadlondon@gmail.com

Dominic Kennedy at Ridgeway Road, 2017 | Image courtesy of the gallery

Dominic Kennedy at Ridgeway Road, 2017 | Image courtesy of the gallery

 

 

generator projects

Based in Dundee, Generator is an exhibition and project space that began over 20 years ago. It is an artist-led organisation with a committee and membership scheme; it was established to allow creative practitioners to develop experimental, critical and contemporary work, with the opportunity to exhibit. Generator aims to provide opportunities to artists by providing a diverse and vibrant programme of exhibitions and events.

They Had Four Years at Generator Projects | Image courtesy of the gallery

They Had Four Years at Generator Projects | Image courtesy of the gallery

 

 

dolph projects

A not-for-profit visual arts project based in Streatham Hill, London, run by artists Paul Cole and Natasha Kahn. Housed within a former factory space, with ASC studios, is an independent gallery that hosts six solo exhibitions a year. It aims to engage with the local community - Simon Callery’s exhibition 2016 is an excellent example of this. The next exhibition by Alice Wilson explores the artists relationship with landscape within framework of DOLPH’s artist centred brief, essentially asking ‘what makes the artist tick?’

Alice Wilson at DOLPH Projects, 2017 | Image courtesy of the gallery

Alice Wilson at DOLPH Projects, 2017 | Image courtesy of the gallery

 

 

gallery lock in

Based in two connected garages in Brighton, with a third across town, Lock In provides a platform for artists working in durational performance to open up a critical debate with their live and non-live audiences. Original set up as a performance space it is now in a permanent venue, and therefore outside of the curated programme, offers the space for hire as an exhibition, studio or workshops venue. 

Lock In Brighton | Image courtesy of the gallery .jpeg

Lock In Brighton | Image courtesy of the gallery

 

 

the ryder projects

The Ryder Projects falls somewhere between a commercial and artist-led gallery space in former garage in Bethnal Green, East London. It was established in 2015 by Spanish curator and Goldsmith alumni Patricia Lara, who wanted to provide artists with the opportunity to present experimental artworks without the pressures of having a commercially viable exhibition. The exhibition program has a strong focus on performance, video and installation, complemented by public talks and events to encourage dialogue and critical engagement. The Ryder represents three artists and participates in art fairs. 

Fabio Lattanzi Antinori, Dear Shareholder Installation view at The Ryder Projects, 2017

Fabio Lattanzi Antinori, Dear Shareholder Installation view at The Ryder Projects, 2017

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